culturesavage

Jun 02

(Source: loveslut, via dgroundsel)

towerofsleep:

colleenheslinstokedonthis:

Hi - I’ve got a new blog up with some current work, come follow me.
colleenheslin:

Colleen HeslinLast Legs,  linen shirt collage with oil paint stains, 36”x36”, 2012


You heard the lady.

towerofsleep:

colleenheslinstokedonthis:

Hi - I’ve got a new blog up with some current work, come follow me.

colleenheslin:

Colleen Heslin
Last Legs,
linen shirt collage with oil paint stains, 36”x36”, 2012

You heard the lady.

(Source: jesuisperdu, via modernmath)

May 17

(Source: surrogateself, via dgroundsel)

venimosensondepaz:

(by junkyard.dogs)

venimosensondepaz:

(by junkyard.dogs)

May 15

jomc:

Clark’s Dialogue belongs to her Nostalgia of the Body series, which began in 1964 with individual and two-person sensorial explorations, and developed, after 1968, into collective creations she titled Organic or Ephemeral Architectures. The Dialogue goggles restrict the visual field of the two participants to an eye-to-eye exchange, merging interactivity and dialogism, two of the central concerns in Clark’s work. For Baba Antropofágica, a group of participants placed in their mouths a small spool of colored thread which they then unwound directly from their mouths onto another of the participants, who lay stretched out on the ground. The body of the latter was gradually buried under a web of regurgitated threads. These two images illustrate Clark’s transition from two-person to collective creations. (via Lygia Clark and Hélio Oiticica)

jomc:

Clark’s Dialogue belongs to her Nostalgia of the Body series, which began in 1964 with individual and two-person sensorial explorations, and developed, after 1968, into collective creations she titled Organic or Ephemeral Architectures. The Dialogue goggles restrict the visual field of the two participants to an eye-to-eye exchange, merging interactivity and dialogism, two of the central concerns in Clark’s work. For Baba Antropofágica, a group of participants placed in their mouths a small spool of colored thread which they then unwound directly from their mouths onto another of the participants, who lay stretched out on the ground. The body of the latter was gradually buried under a web of regurgitated threads. These two images illustrate Clark’s transition from two-person to collective creations. (via Lygia Clark and Hélio Oiticica)

(Source: andren, via jesuisperdu)

(Source: venimosensondepaz)

(Source: uinyan, via dgroundsel)

highcastle:

choke
(c) 2010 highcastle
kickstart my fart

highcastle:

choke

(c) 2010 highcastle

kickstart my fart

May 12

shutterblues:

kennyhurtado:

Loic Thisse

Merci Kenny

shutterblues:

kennyhurtado:

Loic Thisse

Merci Kenny

(Source: their-theyre-there, via 57577)

Apr 22

(Source: kimasendorf)

mhsteger:

Pictured above, Pitfall on the Road to a New Neo-Pasticism, a painful aesthetic moment captured by Bas Jan Ader (born 19 April, 1942; disappeared at sea 1975) in 1971

mhsteger:

Pictured above, Pitfall on the Road to a New Neo-Pasticism, a painful aesthetic moment captured by Bas Jan Ader (born 19 April, 1942; disappeared at sea 1975) in 1971