culturesavage
nearlya:

Darren Almond. Magnified System Diagram 3, 2000, Acrylic and ink jet on somerset satin paper

Beam
pootee:

Lewk Wilmshurst
The Weekly Ansible: 50 Sci-Fi & Fantasy Works Every Socialist Should Read (by China Mieville)
rhizomedotorg:

Chrome & Flesh: An Interview with Mark Leckey on Rhizome.org
pootee:

Hula Hoop, 2012
Sculpture
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ZoomInfo
prostheticknowledge:

The Art of Nandan Ghiya
Artist creates works using vintage portraits with physical modern-day digital distortions.
More info and examples of the artist’s work can be found at Ocular here and Galerie Paris-Beijing here
prostheticknowledge:

The Art of Nandan Ghiya
Artist creates works using vintage portraits with physical modern-day digital distortions.
More info and examples of the artist’s work can be found at Ocular here and Galerie Paris-Beijing here
prostheticknowledge:

The Art of Nandan Ghiya
Artist creates works using vintage portraits with physical modern-day digital distortions.
More info and examples of the artist’s work can be found at Ocular here and Galerie Paris-Beijing here
prostheticknowledge:

The Art of Nandan Ghiya
Artist creates works using vintage portraits with physical modern-day digital distortions.
More info and examples of the artist’s work can be found at Ocular here and Galerie Paris-Beijing here
prostheticknowledge:

The Art of Nandan Ghiya
Artist creates works using vintage portraits with physical modern-day digital distortions.
More info and examples of the artist’s work can be found at Ocular here and Galerie Paris-Beijing here
prostheticknowledge:

The Art of Nandan Ghiya
Artist creates works using vintage portraits with physical modern-day digital distortions.
More info and examples of the artist’s work can be found at Ocular here and Galerie Paris-Beijing here
ZoomInfo
arpeggia:

Sougwen Chung - High Tide (Étude Op. 2, No. 4)
“Étude Op.2, No 1-4 is the second opus in an ongoing series of meditations on form and memory. The Études’ deliberately minimal approach alludes to an abstract narrative of loss and revival. The themes in succession: Cocoon, Bloom, Flight, High Tide. Formal variation, restrained palettes, and austere compositions invite the viewer into intricately textured worlds that echo beyond the surface of the image. Drawing informs the character of this series of Études. The dimensional form and composition of each piece is inspired by textures and elements within an original series of improvisational graphite drawings, preserving a sense of immediacy in the final pieces.”
arpeggia:

Sougwen Chung - High Tide (Étude Op. 2, No. 4)
“Étude Op.2, No 1-4 is the second opus in an ongoing series of meditations on form and memory. The Études’ deliberately minimal approach alludes to an abstract narrative of loss and revival. The themes in succession: Cocoon, Bloom, Flight, High Tide. Formal variation, restrained palettes, and austere compositions invite the viewer into intricately textured worlds that echo beyond the surface of the image. Drawing informs the character of this series of Études. The dimensional form and composition of each piece is inspired by textures and elements within an original series of improvisational graphite drawings, preserving a sense of immediacy in the final pieces.”
arpeggia:

Sougwen Chung - High Tide (Étude Op. 2, No. 4)
“Étude Op.2, No 1-4 is the second opus in an ongoing series of meditations on form and memory. The Études’ deliberately minimal approach alludes to an abstract narrative of loss and revival. The themes in succession: Cocoon, Bloom, Flight, High Tide. Formal variation, restrained palettes, and austere compositions invite the viewer into intricately textured worlds that echo beyond the surface of the image. Drawing informs the character of this series of Études. The dimensional form and composition of each piece is inspired by textures and elements within an original series of improvisational graphite drawings, preserving a sense of immediacy in the final pieces.”
arpeggia:

Sougwen Chung - High Tide (Étude Op. 2, No. 4)
“Étude Op.2, No 1-4 is the second opus in an ongoing series of meditations on form and memory. The Études’ deliberately minimal approach alludes to an abstract narrative of loss and revival. The themes in succession: Cocoon, Bloom, Flight, High Tide. Formal variation, restrained palettes, and austere compositions invite the viewer into intricately textured worlds that echo beyond the surface of the image. Drawing informs the character of this series of Études. The dimensional form and composition of each piece is inspired by textures and elements within an original series of improvisational graphite drawings, preserving a sense of immediacy in the final pieces.”
regardintemporel:

Étienne Chambaud - La Danse, 2009